Hello, everyone! Today is the twenty-sixth day of NaPoWriMo and GloPoWriMo.
Today’s featured participant is fresh poetry, where the “poetics of space” prompt for Day 25 takes back in time to a very particular classroom, while also launching us out onto the sea.
Our interview for the day is another two-fer – the poet Melissa Range interviewed by the poet Stephen Burt about her book, Scriptorium, sonnets, and incorporating colloquialisms and slang into poetry. You can learn more about interview-er and interview-ee here and here. And you can read three of Range’s poems here, and at this link, you’ll find a lyrical essay by Burt.
And now for our (optional) prompt! Have you ever heard someone wonder what future archaeologists, whether human or from alien civilization, will make of us? Today, I’d like to challenge you to answer that question in poetic form, exploring a particular object or place from the point of view of some far-off, future scientist? The object or site of study could be anything from a “World’s Best Grandpa” coffee mug to a Pizza Hut, from a Pokemon poster to a cellphone.
Hello, all, and welcome back for the twenty-fifth day of NaPoWriMo/GloPoWriMo. We’re heading into the home stretch now!
Our featured participant today is Tea Parties on Neptune, where the medieval marginalia poem for Day 24 involves some peculiar rabbits!
Our interview today is with Douglas Kearney, whose poetry often involves very visual, altered typography as well as onomatopoeia – poems meant to be seen and heard out loud. You can learn more about Kearney here, and read some of his work here and here.
And now for our daily prompt (optional, as always). In 1958, the philosopher/critic Gaston Bachelard wrote a book called The Poetics of Space, about the emotional relationship that people have with particular kinds of spaces – the insides of sea shells, drawers, nooks, and all the various parts of houses. Today, I’d like to challenge you to write a poem that explores a small, defined space – it could be your childhood bedroom, or the box where you keep old photos. It could be the inside of a coin purse or the recesses of an umbrella stand. Any space will do – so long as it is small, definite, and meaningful to you.
Welcome back, everyone, for the twenty-fourth day of NaPoWriMo/GloPoWriMo!
Our featured participant for the day is The Mother of Adam, where you will find not one, not two, but eleven double elevenie poems for Day 23!
Today’s interview is another two-fer, with the poet Rachel McKibbens being interviewed by the poet Jennifer L. Knox. Both McKibbens and Knox have ties to the “slam” poetry movement, which focuses on performance. McKibbens is known for her work’s direct, fierce, emotional address, while Knox’s poems often exhibit a gonzo humor that can suddenly give way to deep pathos. You can read several of McKibbens’ poems here, and examples of Knox’s work here.
Last but not least, our (optional) daily prompt. Today, I challenge you to write a poem of ekphrasis — that is, a poem inspired by a work of art. But I’d also like to challenge you to base your poem on a very particular kind of art – the marginalia of medieval manuscripts. Here you’ll find some characteristic images of rabbits hunting wolves, people sitting on nests of eggs, dogs studiously reading books, and birds wearing snail shells. What can I say? It must have gotten quite boring copying out manuscripts all day, so the monks made their own fun. Hopefully, the detritus of their daydreams will inspire you as well!
Wow! It’s hard to believe we’ve been at this for 23 whole days already. I hope you each have nearly 2 dozen poems under your belt. And if not, that’s okay too! Whether you try to catch up, or just jump back into writing now, either way works for us!
Today’s featured participant is Marilyn Rauch Cavicchia, whose georgic poem for Day 22 explains to us how (not) to grow a cabbage!
For our interview today, we’re “kicking it old school,” with T.S. Eliot being interviewed by Donald Hall. Not entirely sure who these two are? (Maybe you went into a defensive faint when asked to read “The Waste Land” in high school?) Well, here’s a little information on Eliot and Hall. You can also check out a number of Eliot’s poems (including some blessedly short ones) here, and some of Hall’s poems here.
And now for our daily prompt (optional, as always). Our prompt for Day Twenty-Three comes to us from Gloria Gonsalves, who challenges us to write a double elevenie. What’s that? Well, an elevenie is an eleven-word poem of five lines, with each line performing a specific task in the poem. The first line is one word, a noun. The second line is two words that explain what the noun in the first line does, the third line explains where the noun is in three words, the fourth line provides further explanation in four words, and the fifth line concludes with one word that sums up the feeling or result of the first line’s noun being what it is and where it is. There are some good examples in the link above.
A double elevenie would have two stanzas of five lines each, and twenty-two words in all. It might be fun to try to write your double elevenie based on two nouns that are opposites, like sun and moon, or mountain and sea.
Happy Earth Day, all, and happy twenty-second day of NaPoWriMo/GloPoWriMo!
Our featured participant today is Arash’s Poetry, where the overheard poem for Day 21 is a wonderful rendering of speech in a busy cafe.
Our interview today is with Kyle Dargan. Originally from New Jersey, Dargan now lives in Washington, DC, where he directs the creative writing program at American University. He is the author of four books of poetry that explore the intersection of the personal and the political, with a twist of science fiction. You can learn more about Dargan and find some of his poems here, and find an additional poem here.
Last but not least, here is our prompt for the day (optional, as always). In honor of Earth Day, I’d like to challenge you to write a georgic. The original georgic poem was written by Virgil, and while it was ostensibly a practical and instructional guide regarding agricultural concerns, it also offers political commentary on the use of land in the wake of war. The georgic was revived by British poets in the eighteenth century, when the use of land was changing both due to the increased use of enlightenment farming techniques and due to political realignments such as the union of England, Scotland, and Wales.
Your Georgic could be a simple set of instructions on how to grow or care for something, but it could also incorporate larger themes as to how land should be used (or not used), or for what purposes.
Welcome back, everyone, for the third week of NaPoWriMo/GloPoWriMo!
Our featured participant for the day is rhymeswithbug, where the sports poem for Day 20 imagines poetry as a game of golf!
Today’s interview is with Eileen Myles, a longtime New Yorker and erstwhile presidential candidate, whose poems exhibit a direct, punk sensibility. You can read more about Myles in this brief New York Times profile, and you can find a number of her poems here.
And now for our (optional) prompt. Today, I’d like to challenge you to write a poem that incorporates overheard speech. It could be something you’ve heard on the radio, or a phrase you remember from your childhood, even something you overheard a coworker say in the break room! Use the overheard speech as a springboard from which to launch your poem. Your poem could comment directly on the overheard phrase or simply use it as illustration or tone-setting material.
Hello, everyone! Today, we are two-thirds of the way through NaPoWriMo/GloPoWriMo, and heading into the home stretch.
Our featured participant today is this and other poems, where the creation myth for Day 19 is “tenuous,” but strikingly believable!
Last but not least, here is our (optional) prompt for the day. Today, I challenge you to write a poem that incorporates the vocabulary and imagery of a specific sport or game. Your poem could invoke chess or baseball, hopscotch or canasta, Monopoly or jai alai. The choice is yours!
Welcome back, everyone, for the nineteenth day of NaPoWriMo/GloPoWriMo.
Our featured participant for the day is dogtrax, where the neologism poem for Day 18 created many new compound words!
Today’s interview is with Tommy Pico, whose first book, a long poem that unfurls like an extended meditation-slash-text message, was published to critical acclaim last year. You can check out some of Pico’s work here.
And now for our daily prompt (optional, as always!). Today, I’d like to challenge you to write a poem that recounts a creation myth. It doesn’t have to be an existing creation myth, or even recount how all of creation came to be. It could be, for example, your own take on the creation of ball-point pens, or the discovery of knitting. Your myth can be as big or small as you would like, as serious or silly as you make it.
Hello, all! It’s the eighteenth day of NaPoWriMo/GloPoWriMo. I hope your poems are simmering along!
Our interviewee for the day is Rita Dove, Pulitzer Prize winner, former Poet Laureate of the United States, and the author of ten books of poetry, a novel, a play, a collection of short stories, and a book of essays. Whew! That’s a lot of writing. You can find a number of her poems here. If you’re not sure which one to choose, here’s my personal favorite.
And now for our (optional) prompt. Today, I challenge you to write a poem that incorporates neologisms. What’s that? Well, it’s a made-up word! Your neologisms could be portmanteaus (basically, a word made from combining two existing words, like “motel” coming from “motor” and “hotel”) or they could be words invented entirely for their sound. Probably the most famous example of a poem incorporating neologisms is Lewis Carroll’s Jabberwocky, but neologisms don’t have to be funny or used in the service of humor. You can use them to try to get at something that you don’t have an exact word for, or to create a sense of sound and rhythm, or simply to make the poem feel strange and unworldly.
Hello, everyone, and welcome back for the seventeenth day of NaPoWriMo/GloPoWriMo!
Today’s featured participant is Yesterday and today: Merril’s historical musings, where the correspondence poem for Day 16 is a bittersweet meditation on a letter never written.
Our featured interview for the day is with Hoa Nguyen, whose work is marked by a sense of immediate address and a pop-culture sensibility. You can learn more about Nguyen here, and you can find examples of her poetry here and here and here.
And now for our (optional) prompt. Today, I challenge you to write a nocturne. In music, a nocturne is a composition meant to be played at night, usually for piano, and with a tender and melancholy sort of sound. Your nocturne should aim to translate this sensibility into poetic form! Need more inspiration? Why not listen to one of history’s most famous nocturnes, Chopin’s Op. 9 No. 2?