Hello, all! Well, we knew it had to happen. April, like all months, is impermanent, and so to is Na/GloPoWriMo. But while today is the final day, that doesn’t mean your poetry has to stop! Perhaps you will be encouraged by your efforts this month to keep writing throughout the year. Or maybe you will turn May into your own personal Poetry Revision Month.
Our featured participant for the day is Summer Blues, where the meditative prompt for Day Twenty-Nine gave rise to not one, but two, wry and poignant poems.
Today’s video resource is this short film in which the artist Iris Colomb “translates” the minimalist poems of the Russian poet Eta Dahlia into gesture drawings. This is another great illustration of the way that poetry and other art forms can intersect and inspire one another. This video also shows that the rhythms and sounds of poetry can cross language boundaries, allowing a form of communication beyond the merely literal.
And last but not least, now for our final (but still optional) prompt for this year! Taking a leaf from our video resource, I’d like you to try your hand at a minimalist poem. What’s that? Well, a poem that is quite short, and that doesn’t really try to tell a story, but to quickly and simply capture an image or emotion. Haiku are probably the most familiar and traditional form of minimalist poetry, but there are plenty of very short poems out there that do not use the haiku form. There’s even an extreme style of minimalism in the form of one-word and other “highly compressed” poems. You don’t have to go that far, but you might think of your own poem for the day as a form of gesture drawing. Perhaps you might start from a concrete noun with a lot of sensory connotations, like “Butter” or “Sandpaper,” or “Raindrop” and
– quickly, lightly – go from there.